![]() Changes in focus, lighting, composition, or movement by the camera should happen because the story dictates it, not because of the technical “wow” factor behind it. Most importantly, how you shoot your film and what kinds of effects you create are all determined by your story. (More detail on post-production effects is provided in Chapter 9: Visual Effects.) The decision of whether to create an effect in post or in camera during production will often depend on several factors-anything from artistic reasons to technical or budgetary restrictions. Effects are another story there is a great deal of artistic and technical freedom allowed today that not only enhance the film itself, but also create ease in production. Ideally, you want to shoot your stop-motion properly enough that very little post-production work is needed to fix mistakes. Today’s digital tools give us more options for fixing and adding effects in post, but all the same it’s a good idea to avoid using this as a crutch too much. Fixes in post can include attempts to line up frames where the camera was accidentally bumped, for instance, or where there were fluctuations in the lighting. When a filmmaker talks about doing something “in post,” including “fixing in post,” it means that effect or fix will be done later. Post-production refers to the process of adding certain elements to your scenes after they have been shot and is typically referred to in the business as simply post. Certain effects can be achieved by your camera right on your stop-motion set, with little to no additional work done in post-production. That is essentially what it’s all about, but at the same time there are plenty of options for embellishing your shots for a richer cinematic experience. You take a frame, move the puppet or object, take another frame, and move the puppet or object again. Once you have set up your sets, puppets, lights, and camera, the shooting process is relatively straightforward.
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